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Flow How did a handful of corporations steal our water

Eagle vs Shark Movie Poster (27 x 40 Inches - 69cm x 102cm) (2007) -(Loren Horsley)(Jemaine Clement)(Craig Hall)(Rachel House)(Brian Sergent)(Joel Tobeck)

  • Eagle vs Shark Poster (27 x 40 Inches - 69cm x 102cm)
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Full Size Movie Poster; Same Size That You See In The Theater
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Miramax Films presents the wickedly offbeat love story, Eagle vs Shark, a funny, fractured romance between two total misfits woven into an all-consuming quest for revenge and shot through with the strange, sweet hilarity of the human condition. When Lily (Horsley), a lonely, oddball fast-food waitress and hopeless romantic, and Jarrod (Clement), another lonely oddball and video game clerk who has spent the last decade plotting revenge against a bully from high school, connect at a dress as your favorite animal party, it s! a match seemingly made in outcast Heaven. But when Lily decides to risk everything for love, her hopes are nearly dashed as, after a brief fling, Jarrod dumps her because he s too busy training for his all-important payback mission. But neither of them can anticipate the grit the steadfastly optimistic Lily will show in her heartbreak. As Jarrod's day of reckoning arrives and everything hits the fan, Jarrod and Lily will find something that goes beyond romantic fantasies and revenge faith in who they are.Since the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo! since Javier Bardem's pageboy in No Country for Old Men, the v ideo-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. Anderson's Punch-Drunk Love, Jarrod has a dark side. Not only is he a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird cha! rm of Waititi's first feature. --Kathleen C. FennessySince the 1980s, the nerd has triumphed in comedies from Weird Science to Napoleon Dynamite, but what about the female of the species? In Eagle vs. Shark, New Zealand's Taika Waititi presents his offbeat romance from the perspective of the likeably quirky Lily (co-writer Loren Horsley). The Meaty Boy cashier fantasizes about the sensitive yet boorish Jarrod (Jemaine Clement from HBO's Flight of the Conchords). Sporting the worst on-screen hairdo since Javier Bardem's pageboy in No Country for Old Men, the video-game wiz visits Lily's fast-food emporium daily, oblivious to the slouchy brunette with the shy smile. Except for her cartoonist brother, Damon (Joel Tobeck), nobody else notices Lily either. When she crashes Jarrod's costume party--dressed as a shark to his eagle--her fortunes begin to change, but there's a catch: Much like Adam Sandler's tightly-wound salesman in P.T. And! erson's Punch-Drunk Love, Jarrod has a dark side. Not o! nly is h e a habitual liar, but he intends to kill his high school nemesis, Eric (David Fane). At first, Lily supports Jarrod's homicidal plan, but their relationship hits a snag when they travel to his hometown for the big face-off (Waititi plays Jarrod’s brother in flashbacks). Suffice to say, no murders take place during the course of Eagle vs. Shark. Stop-motion sequences (revolving around irregular apples), the Phoenix Foundation's electro-pop score, deleted scenes, outtakes, and audio commentary all contribute to the weird charm of Waititi's first feature. --Kathleen C. FennessyGolden Globe(r) winner* John Travolta leads an all-star cast in the hysterical comedy thatTime calls "smart, shrewdly crafted [and] hilarious!" Loan shark Chili Palmer (Travolta) is bored with the business. So when he arrives in LA to collect a debt from down-and-out filmmaker Harry Zimm (Gene Hackman), Chili talks tough...and then pitches Harry a script idea. Immediately, Chili is swept! into the Hollywood scene: He schmoozes film star Martin Weir (Danny DeVito), romances B-movie queen Karen Flores (Rene Russo) and even gets reservations at the hottest restaurants intown. In fact, all would be smooth for this cool new producer, if it weren't for the drug smugglersand the angry mobster who won't leave him alone! *1996: Actor (Comedy)Get ShortyHailed by many critics as one of the best films of 1995, this finely tuned black comedy sparked a renewed interest in movies based on books by prolific crime novelist Elmore Leonard, whose trademark combination of tight plotting and sharp humor is perfectly captured here. After the success of Pulp Fiction, John Travolta continued his meteoric comeback as Chili Palmer, a Mob "mechanic" whose latest assignment takes him to Los Angeles, where his fascination with the movie business turns into a new career as a would-be movie producer. He pitches ideas with a sleazy producer (Gene Hackman) and a major star (Danny D! eVito), and also finds time to deal with a vengeful Mobster (D! ennis Fa rina) and assorted Hollywood types (including Renee Russo and Delroy Lindo) who all want their piece of a tempting show-biz pie. The plot unfolds with enticing precision, but it's really Elmore's snappy dialogue--and the performances that bring it to life--that make this one of the best comedies of the 1990s. --Jeff ShannonSoundtrack to the acclaimed film starring Jermaine Clement (one half of Flight Of The Conchords) and written and directed by Oscar-nominated New Zealander Taika Waititi. The album features an original score written by Wellington band The Phoenix Foundation, who contributed seven songs (including 'Hitchcock' and 'Seaworld' from their second album Pegasus), three score pieces, as well as two songs from Phoenix Foundation member Luke Buda's solo albums. Also included are tracks from prominent New Zealand artists Age Pryor, The Reduction Agents and Tessa Rain as well as international acts The Stone Roses and M. Ward. Hollywood Records.Eagle vs Shark Pos! ter (27 x 40 Inches - 69cm x 102cm) (2007) reproduction poster print

CAST: Loren Horsley, Jemaine Clement, Craig Hall, Rachel House, Brian Sergent, Joel Tobeck, Jackie van Beek; DIRECTED BY: Taika Cohen;

Dans Paris

Barbie Heidi Klum BLONDE AMBITION Barbie Doll Pink Label Collection 50th Anniversary Edition

Parenting Teenagers: Systematic Training for Effective Parenting of Teens

  • ISBN13: 9780979554216
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
In this edgy thriller, Don McKay (Thomas Haden Church, Sideways) flees his hometown after a horrendous tragedy and vows never to return. But 25 years later he comes back to find a dark menace looming over the town. As he attempts to rekindle his romance with an old high school girlfriend (Elisabeth Shue, Leaving Las Vegas), Don is pulled into a malevolent world from which he may never escape.There's urban noir, like Night and the City, and suburban noir, like Double Indemnity. With Don McKay, Jake Goldberger puts his stamp on the latter, offering a sad-sack janitor (producer Thomas Haden Church), who returns to his East Coast hometown when he learns that his old girlfriend, Sonny (! Elisabeth Shue), has a terminal illness. Sonny, who spends her days in shiny negligees, wants to get back together, which suits Don just fine, though he has his doubts about Dr. Pryce (James Rebhorn), and Marie (Melissa Leo, stealing every scene), Sonny's live-in nurse, who both act more like jealous lovers than medical professionals. When Pryce tries to strangle Don, he kills the man in self-defense and hides the body, turning to his friend, Otis (Keith David), for help, since the police aren't likely to believe him due to the events of the past (Goldberger withholds the details until the end). In the meantime, Don puts up with Sonny's tempestuous seduction act until he can't take it anymore, but escaping her clutches proves unexpectedly difficult, especially once blackmailer Mel (Pruitt Taylor Vince) enters the scene. As in the melodramas of yore, characters say the most preposterous things, but Goldberger keeps you guessing as to their real motives. If he casts Church an! d Shue against type, that only deepens the central mystery, th! ough the star comes off better than his leading lady, who sometimes seems lost. Still, their talents ensure that the writer-director's debut doesn't slide into farce--though it sure comes close. --Kathleen C. FennessyIn this edgy thriller, Don McKay (Thomas Haden Church, Sideways) flees his hometown after a horrendous tragedy and vows never to return. But 25 years later he comes back to find a dark menace looming over the town. As he attempts to rekindle his romance with an old high school girlfriend (Elisabeth Shue, Leaving Las Vegas), Don is pulled into a malevolent world from which he may never escape.There's urban noir, like Night and the City, and suburban noir, like Double Indemnity. With Don McKay, Jake Goldberger puts his stamp on the latter, offering a sad-sack janitor (producer Thomas Haden Church), who returns to his East Coast hometown when he learns that his old girlfriend, Sonny (Elisabeth Shue), has a terminal illness. Sonny, who spends her! days in shiny negligees, wants to get back together, which suits Don just fine, though he has his doubts about Dr. Pryce (James Rebhorn), and Marie (Melissa Leo, stealing every scene), Sonny's live-in nurse, who both act more like jealous lovers than medical professionals. When Pryce tries to strangle Don, he kills the man in self-defense and hides the body, turning to his friend, Otis (Keith David), for help, since the police aren't likely to believe him due to the events of the past (Goldberger withholds the details until the end). In the meantime, Don puts up with Sonny's tempestuous seduction act until he can't take it anymore, but escaping her clutches proves unexpectedly difficult, especially once blackmailer Mel (Pruitt Taylor Vince) enters the scene. As in the melodramas of yore, characters say the most preposterous things, but Goldberger keeps you guessing as to their real motives. If he casts Church and Shue against type, that only deepens the central mystery, th! ough the star comes off better than his leading lady, who some! times se ems lost. Still, their talents ensure that the writer-director's debut doesn't slide into farce--though it sure comes close. --Kathleen C. FennessyAn informative best-seller-updated with a new format and illustrations--with proven techniques for better parent-teen relationships.

Gerson Everlasting Glow 10.75 Inch Wax Drip Finish Taper Flameless Candle Ivory Color 2 Piece Set

  • Ivory color
  • Unscented
  • Packed in clear box
  • 2 AA batteries not included
  • 10.75" height
Studio: Paramount Home Video Release Date: 01/06/2004 Run time: 103 minutes Rating: RIt's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling c! omic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer It's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the! way one would expect. Colm (Barry McEvoy, who also wrote the ! screenpl ay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (Anna Friel, A Midsummer Night's Dream). But when a wig is found at the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particular! ly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer It's hard to believe that a movie about two hairpiece salesmen in war-torn Northern Ireland--a comedy, no less--could work at all, but An Everlasting Piece does work, though perhaps not in the way one would expect. Colm (Barry McEvoy, who also wrote the screenplay) is a new barber at a mental institution and bonds with his fellow barber George (Brian F. O'Byrne) even though Colm is Catholic and George is Protestant. A new patient arrives, who turns out to have been the owner of the only wig company in all of Northern Ireland. Figuring that having a monopoly means easy money, Colm and George convince the new patient to give them his client list, and they're off on a series of rambling comic adventures, aided by Colm's girlfriend Bronagh (An! na Friel, A Midsummer Night's Dream). But when a wig is! found a t the site of an act of IRA sabotage, the salesmen's lives get suddenly complicated. What makes An Everlasting Piece work is not that it ignores the Irish conflict, but that it pays close attention to it; in fact, the tension of civil strife is a crucial element of the movie's humor, allowing it to dip into a more serious mood without becoming preachy or pretentious. The actors are uniformly excellent; Friel is particularly charming. A comedy about wigs sounds like goofy slapstick; An Everlasting Piece is actually thoughtful and richly human. Directed by Barry Levinson (Diner, Rain Man, Wag the Dog). --Bret Fetzer 2 piece set wax drip finish taper flameless LED candle
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