Grease (Rockin' Rydell Edition)

• Condition: Used, Very Good
• Format: DVD
• Full Screen; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

John Travolta solidified his position as the most versatile and magnetic screen presence of the decade in this film version of the smash hit play Grease. Recording star Olivia Newton-John made her American film debut as Sandy, Travolta's naive love interest. The impressive supporting cast reads like a "who's who" in this quintessential musical about the fabulous '50s. Grease is not just a nostalgic look at a simpler decade--it's an energetic and exciting musical homage to the age of rock 'n' roll! First production run of the Rockin' Rydell special edition comes packaged in a leather jacket. Get 'em while they last!Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffit! i), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptation of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. While this 2002 DVD release contains retrospective interviews with the cast and director Randal Kleiser, it's unfortunately full screen. As a result, the widescreen dance numbers are instead panned and scanned, destroying the symmetrical, lively choreography. A widescreen version is also available and is highly recommended because without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film has to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the roman! tic dilemmas experienced by a group of graduating high school! seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John Travolta, straight from his success in Saturday Night Fever, knows his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Riding the strange '50s nostalgia wave that swept through America during the late 1970s (caused by TV shows like Happy Days and films like American Graffiti), Grease became not only the word in 1978, but also a box-office smash and a cultural phenomenon. Twenty years later, this entertaining film adaptatio! n of the Broadway musical received another successful theatrical release, which included visual remastering and a shiny new Dolby soundtrack. In this 2002 DVD release, Grease lovers can also now see it in the correct 2:35 to 1 Panavision aspect ratio, and see retrospective interviews with cast members and director Randal Kleiser. All these stylistic touches are essential to the film's success. Without the vibrant colors, unforgettably campy and catchy tunes (like "Greased Lightning," "Summer Nights," and "You're the One That I Want"), and fabulously choreographed, widescreen musical numbers, the film would have to rely on a silly, cliché-filled plot that we've seen hundreds of times. As it is, the episodic story about the romantic dilemmas experienced by a group of graduating high school seniors remains fresh, fun, and incredibly imaginative.

The young, animated cast also deserves a lot of credit, bringing chemistry and energy to otherwise bland material. John T! ravolta, straight from his success in Saturday Night Fever, kno ws his sexual star power and struts, swaggers, sings, and dances appropriately, while Olivia Newton-John's portrayal of virgin innocence is the only decent acting she's ever done. And then there's Stockard Channing, spouting sexual double-entendres as Rizzo, the bitchy, raunchy leader of the Pink Ladies, who steals the film from both of its stars. Ignore the sequel at all costs. --Dave McCoy

Rand McNally Are We There Yet? (Backseat Books)

• 64 Pages
• Includes journal for trip tracking
• Answer key included

Ice Cube portrays a successful bachelor whose life is turned upside down when he agrees to take the children of the single mother he is wooing (Nia Long) from Portland, Oregon, to Vancouver on New Year's Eve. Extras include making-of featurette, games, guIce Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There Yet? answers with a resounding yes for youngsters in the audience (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in lad! ies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road Trip and Planes, Trains and Automobiles has its cute moments, but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they all learn about each others' good sides and hearts are suitably melted all around--until after the credits roll, then you'll probably forget about the whole thing.--Ted FryLighthearted comedy with Ice Cube as a man whos! e plan to romance beautiful divorced mother-of-two Nia Long is! stalled by his aversion to children. With Long stuck in Vancouver on business, Cube volunteers to drive the kids there so they can spend New Year's Eve together. But he gets more than he bargained for as the road trip is wrought with the brats' hilariously relentless attempts to scare him off and keep their mom single. Aleisha Allen, Philip Bolden co-star. 95 min. Widescreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital Surround; Subtitles: English, Chinese, French, Korean, Thai; "making of" documentary; storyboards; audio commentary; deleted scene.Ice Cube has turned his frown upside down with the family-friendly screwball road movie Are We There Yet? We know the actor/rapper can use his trademark scowl to be funny (the Friday and Barbershop series), or to be mean (Boyz in the Hood)--but can he use it to melt kids' hearts? That's the question Are We There Yet? answers with a resounding yes for youngsters in the audience! (which will be the lions' share), but it'll probably be an emphatic shrug for the grownups. The contrived plot has Cube playing a wannabe-player (as in ladies' man) and ex-player (as in washed-up minor league baseball star) who now owns a sports memorabilia business. His partner, played by Jay Mohr is just a throwaway, as is the talented Nia Long, the single mom that Cube sets his blinged-out sights on. To try to get in her good graces, he offers to transport her two bratty kids in his pride-and-joy Lincoln Navigator for a joy ride to a distant city where she's attending an emergency business meeting so they can have a New Year's Eve celebration together. This kiddies version of Road Trip and Planes, Trains and Automobiles has its cute moments, but plenty more gross-out moments which will please the kids no end, especially as the Navigator gets more and more trashed. Suffice it to say they all learn about each others' good sides and hearts are suitably melted! all around--until after the credits roll, then you'll probabl! y forget about the whole thing.--Ted FrySummary:
0

About the Author:

•0
Author: Karen^Rand McNally Richards
Illustrator: Steven Mach
Publisher:Rand McNally & Company
Published Date:04/01/2003
Format:Paperback
ISBN:0528965433
#of pages:#N/A

Ghostbusters [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Dolby; Dubbed; Subtitled; Widescreen

Genre: Comedy
Rating: PG
Release Date: 16-JUN-2009
Media Type: Blu-RayDan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by Ivan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could "slime" people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. Still a lot of fun, and an obvious model for sci-fi comedies such as Men in Black. --Tom Keogh

House of Flying Daggers [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

THE ILL-FATED ROMANCE BETWEEN AN IMPERIAL BODYGUARD & A PRINCETAKES THE LOVERS ON A DANGEROUS JOURNEY WHERE ROYAL FAMILYSECRETS ARE REVEALED.Curse of the Golden Flower, a fictionalized historical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous House of Flying Daggers and Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prin! ce Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow the Crown Prince for control of the throne. Meanwhile, a side plot develops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox bet! ween good and evil, here, is highlighted by how the Emperor su! ccessful ly rules despite, and because of, his utter cruelty. --Trinie DaltonFrom the director of Hero and House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a mythic climax as lines are crossed, trust is betrayed, and family blood is spilled in the quest for redemption and revenge. Starring Chow Yun Fat of Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of Memoirs of a Geisha as his poisoned Empress, Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.Curse of the Golden Flower, a fictionalized his! torical glimpse into the brutally complicated politics of Emperor Ping's (Chow Yun Fat) reign during the Tang Dynasty, shows the viewer just how far a megalomaniac must go to gain and retain power in medieval China. Lavish sets, massive ceremonial displays, and perversely fascinating battle scenes impress similarly to the special effects Americans have come to love and expect from Chinese action films like Zhang Yimou's previous House of Flying Daggers and Crouching Tiger, Hidden Dragon. An intricate plot involving the Emperor's wife, Empress Phoenix (Gong Li) and their three sons, Crown Prince Xiang, Prince Jie, and Prince Cheng, most closely follows the Empress's secret plan to force abdication upon her corrupt husband as revenge for his slowly poisoning her with Black Fungus tea. Opening on the eve of the Chysanthemum Festival, 928 A.D., the Empress obsessively embroiders gold chysanthemums to adorn her army's uniforms while hatching plans with Jai to overthrow th! e Crown Prince for control of the throne. Meanwhile, a side pl! ot devel ops as the Emperor's ex-wife and mother to Crown Prince Yu reemerges as Yu's lover. By the time the Festival occurs, family members are pitted against each other in a King Lear-ian web of lies that can only result in demise. The most sophisticated narrative aspect of Curse of the Golden Flower is that as the royal family crumbles, the Emperor's death grip on China remains unwavering. Gorgeous scenes set in the palace and costume design displaying China's upper class decadence cannot fail to entertain. The paradox between good and evil, here, is highlighted by how the Emperor successfully rules despite, and because of, his utter cruelty. --Trinie Daltongreat film .Crouching Tiger, Hidden Dragon
Named "Best Picture of the Year" by over 100 critics nationwide! Two master warriors (Chow Yun Fat and Michelle Yeoh) are faced with their greatest challenge when the treasured Green Destiny sword is stolen. A young aristocrat (Zhang Ziyi) prepare! s for an arranged marriage, but soon reveals her superior fighting talents and her deeply romantic past. As each warrior battles for justice, they come face to face with their worst enemy - and the inescapable, enduring power of love. Set against 19th-century China's breathtaking landscape, Crouching Tiger, Hidden Dragon is the action-packed, box office smash from acclaimed director Ang Lee (Sense and Sensibility, The Ice Storm) featuring stunning martial arts choreography by Yuen Wo Ping (The Matrix).

Curse of the Golden Flower
From the director of Hero and House of Flying Daggers comes the martial arts epic masterpiece whose savage beauty and exquisite elegance has mesmerized and captivated audiences around the world. Set in the lavish and breathtakingly colorful world hidden from the eyes of mere mortals behind the walls of the Forbidden City, a tale of a royal family divided against itself builds to a ! mythic climax as lines are crossed, trust is betrayed, and fam! ily bloo d is spilled in the quest for redemption and revenge. Starring Chow Yun Fat of Crouching Tiger, Hidden Dragon as the embattled Emperor and Gong Li of Memoirs of a Geisha as his poisoned Empress, Curse of the Golden Flower grants you entry into a dazzling and spectacular world of betrayal, vengeance and passion that will change the way you think of martial arts forever.

House of Flying Daggers
"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warri! ors in the treetops and dazzling combat - the likes of which have never before been seen!The deceptions fly as fast as the blades in director Zhang Yimou's elegantly filmed "wu xia" drama set in feudal China, where rebels battle the corrupt Tang regime. Suspecting a jailed blind dancer belongs to the anti-government faction House of Flying Daggers, a police captain masquerades as a rogue swordsman and helps her escape, hoping she'll lead him to the group's headquarters, only to fall in love with the woman. Zhang Ziyi, Takeshi Kaneshiro and Andy Lau star. 119 min. Widescreen (Enhanced); Soundtracks: Mandarin Dolby Digital 5.1, English Dolby Digital 5.1, French Dolby Digital 5.1; Subtitles: English, French; audio commentary; "making of" documentary; featurette; music video; storyboards; photo gallery. In Mandarin with English subtitles/Dubbed in English.No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though differe! nt in tone and subject matter, are drenched in rich, luscious ! shades o f red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's prev! ious action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer"Prepare your eyes for popping," in this "martial-arts fireball that throws in a lyrical love story, head spinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott, New York Times). Mei is an exotic, beautiful blind dancer, associated with a dangerous revolutionary gang, known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty, Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here, her heart and loyalties battle each other, amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone an! d subject matter, are drenched in rich, luscious shades of red! , blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/a! rt film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer

Drive: The Surprising Truth About What Motivates Us

• ISBN13: 9781594484803
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense. Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with t! his 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (Mad Men's Christina Hendricks), Shannon makes a deal with a coup! le of gangsters (Albert Brooks and Ron Perlman), but when the ! plans co llide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. FennessyRyan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense. Denmark's Nicolas Windi! ng Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut, Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (M! ad Men's Christina Hendricks), Shannon makes a deal with a! couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though, Drive is every bit as gripping as Reagan-era crime dramas like To Live and Die in L.A. and Thief. --Kathleen C. FennessyMost people believe that the best way to motivate is with rewards like money--the carrot-and-stick approach. That's a mistake, says Daniel H. Pink in Drive. In this provocative and persuasive new book, he asserts that the secret to high performance and satisfaction--at work, at school, and at home--is the deeply human need to direct our own lives, to learn and create new things, and to do better by ourselves and our world.

Drawing on four decades of scientific research on human motivation, Pink exposes the mismatch between what science knows and wha! t business does-and how that affects every aspect of life. He examines the three elements of true motivation--autonomy, mastery, and purpose--and offers smart and surprising techniques for putting these into action in a unique book that will change how we think and transform how we live.

Artie Lange's Beer League [Blu-ray]

• Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winning not only the league trophy but a new life are considerab

Beer, broads and softball combine with hilarious results in ARTIE LANGE'S BEER LEAGUE, an over-the-top comedy about a group of misfits whose weekly softball games descend more into fights for macho dominance than making home runs. Starring Artie Lange and Ralph Macchio. When love enters his life (Cara Buono), it unexpectedly alters Artie's low self-esteem; and the odds for winningâ€"not only the league trophy but a new lifeâ€"are considerably amped along with the comedy and ch! aos.

Fuel

• Multiplayer support including 2-16 player online support via Xbox LIVE and the ability to compete against friends online in all 70 career races, as well as online free rides.
• Open-world racing across 14,000 square km of streaming game world and 100,000 miles of trails.
• Over 70 unique vehicles, each with GPS support, in six different classes including: bikes, ATVs, muscle cars, SUVs, buggies and trucks.
• Extreme weather effects and conditions ranging from rain to snow to sandstorms and destructive tornadoes, that affect and add to the challenge of the race.
• A wide variety of race types and challenges including: time trials, checkpoint races, circuit races and raid races.

First they went platinum...Now they're going green. Your best loved music in its simplest form. 20 best-selling "Greatest Hits" & "Best of" collections now available in a new eco-friendly packa! ge. 1CD in card wallet packaging - no plastic, no booklet - just great music! Booklets are available online through a unique URL on the package.In Something Like Human, the moody and brutally emotional rock band Fuel has a solid follow-up to their platinum Sunburn disc from 1998. Produced by Ben Grosse (Filter, Vertical Horizon) and coproduced by Fuel guitarist-songwriter Carl Bell, Something Like Human picks up where Sunburn left off, both musically and emotionally. From Brett Scallions's heart-wrenching vocal performance on the CD's first single, "Hemorrhage (in My Hands)," with its mournful reflections to the "Shimmer"-like "Slow," the bleak, dark temperament that characterized Sunburn is continued. Even seemingly upbeat moments are buried deep in paranoia ("Knives") or leave a bitter taste ("Solace"). Not as dirge-heavy as Alice in Chains (though "Down" sounds like that band) or as commercially viable as Creed, Fuel nonetheless have th! e strong songs and melodies to make their doleful musical visi! ons emin ently memorable and quietly cool. --Katherine TurmanSet to revolutionise multi-terrain racing with the largest environment ever created in race gaming, FUEL will present players with an astonishing no-boundaries playfield that's over 5,000 square miles (14,000+ km²) in size. Creating the ultimate competitive go-anywhere racing experience, FUEL will have players competing across wildly different terrain and executing spectacular death-defying stunts as they race dozens of varied two and four-wheeled rides and explore this epic world on an unprecedented scale. FUEL is set in an alternate present in which whole swathes of the globe have been ravaged by the effects of climate change brought on by decades of environmental abuse. Here oil prices have rocketed and yet a new breed of racing junkie takes to the wastelands, pitting their grungy home-tuned vehicles against each other in an all-new extreme sport as they compete to win fuel supplies. To triumph means travellin! g the wastelands to challenge the best; from the tsunami-wrecked pacific coast through the Nevada wastelands, including the Grand Canyon, up treacherous snow-capped mountains, thick forests, arid deserts, abandoned lakeside resorts and much more. Bringing this vast, open ended landscape to life is a dynamic weather system with full day and night transitions, brilliant sunshine, torrential rain and everything in between, plus destructive tornados, sandstorms, thunderstorms, lightning strikes, and blizzards requiring mid-race strategy changes. Complete with the ability to go online to explore this massive world and compete in hundreds of multiplayer challenges.

In FUEL players race across and explore the world’s largest racing environment â€" over 5,000 square miles of spectacular wilderness. Set to revolutionize multi-terrain, multi-vehicle racing, FUEL is a fiercely competitive, open-world game with! out boundaries. On and off-road, two and four-wheeled vehicles! race a massively diverse environment, from scaling the highest snowcapped mountain to racing the deepest arid canyon. Expansive open-world environments. View larger. Dramatic weather effects View larger. In-game mixing of v! ehicle c lasses. View larger. Extreme off-road action. View larger. Smoking road racing. View larger. Story In an alternate present, vast stretches of America have become no-go areas as the devastating effects of global warming ravage the continent. Floods, storms, brush fires, tornadoes and hurricanes have driven people from towns and cities into safe zones as extreme weather ! wreaks havoc, creating thousands of square miles of dangerous uninhabitable areas. People turn to renewable energy in the face of the destruction caused by this catastrophe. But these danger zones have also become a playground for a new breed of racer. With a stockpile of fuel to be burned, adrenaline junkies head into the wilderness to compete against each other in spectacular races against themselves and the elements. Vehicles FUEL features 70 different unlockable vehicles designed to support pick up and play arcade style fun. Each of these feature aggressive styling, unique performance and surface specific handling and can compete with each other no matter how or where they are united. The six different vehicle classes include: Bikes Bikes are fast, quick and easy to handle, but what they have in speed they lack in durability, so ride around trees, not into them. ATVs ATV's four wheels offer more stability than bikes and their size allows them to be able to sneak in very narrow spaces. Muscle Cars Muscle cars have enough speed and strength to face extreme conditions, making them a good choice for any kind of racer. SUVs Powerful, stout and durable, SUVs make up for their lack of speed with all the hit that they can take before breaking down. Buggies The smallest of cars and the easiest to handle, buggies are definitely fast, but durability can be an issue with them. Trucks The largest and str! ongest vehicles, trucks will not daze you with speed, but they! 'll knoc k you out for sure with power. Race Types and Challenges FUEL features a wealth of race types and challenges. Races include A2B Time Trials, Checkpoint Races, Circuit Races and Raid Races; while some of the additional challenges include 'Long Raids'--races that can last for hours--and 'Knock Out' events, which are checkpoint races where the last racer to cross the line is eliminated. Never Get Lost With GPS Each vehicle in the game comes equipped with a unique GPs system. Showing up on the game screen's heads-up display (HUD), arrows display a route that will take advantage of the distinctive capabilities of that vehicle, always indicating that fastest, most appropriate route. Race well and players are alerted to an extra route--one that is riskier, more hazardous--but potentially quicker. Of course, you can always choose to switch the GPs off and forge your own way through the wilderness. Key Features! Open-world racing - The largest open-world racing arena ever, with 14,000 square km of streaming game world and 100,000 miles of trails. Vehicles Galore - Drive over 70 unique vehicles in six different classes including: bikes, ATVs, muscle cars, SUVs, buggies and trucks. Weather Effects - Experience how extreme weather conditions affect the race from rain to snow to sandstorms and destructive tornadoes. Race Types - Compete in multiple categories of race types including: time trials, checkpoint races, circuit races and raid races. Multiplayer Support - FUEL features 2-16 player online support via Xbox LIVE. Online Racing - Compete against friends online in all 70 career races as well as online free rides. GPs Technology - Each vehicle in FUEL features onboard GPs functionality ensuring you will never be lost. Online Support FUEL is a seamlessly integrated offline and online gamew! orld fea turing hundreds of challenges across countless locations. Players can compete against friends in all of the game's 70 career races, as well as online free rides via Xbox LIVE. In addition, to these pre-designed events players can use the powerful route editor to create their own challenges set anywhere in FUEL's world and share them online.

Dr. Quinn, Medicine Woman: The Complete Series

• DR. QUINN, MEDICINE WOMAN: THE COMPLETE SERIES DVD (DVD MOVIE)

Dr. Sullivan Travis, a successful Dallas gynecologist, finds his life disrupted by the women in his life; his wife suffers a nervous breakdown, his eldest daughter plans to marry despite being a lesbian, his youngest daughter is a conspiracy freak, his se
Genre: Feature Film-Comedy
Rating: R
Release Date: 21-OCT-2003
Media Type: DVDLoose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and daughters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestio! n there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel protection, and Gere perfectly captures this sweet yet condescending blind spot. --B! ruce ReidIn director Robert Altman's star-studded new ense! mble com edy, Richard Gere is a frantically overworked, socially in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a childlike state, while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile, just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow, the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount, the good doctor's life rapidly approaches the force of a Texas tornado!Loose-limbed and casual even for a Robert Altman movie, Dr. T & the Women has a sly, offhanded wit that makes up for its ramshackle structure. Richard Gere's eponymous gynecologist seems the model of success: his office is packed daily with the cream of Dallas's society matrons clamoring for an appointment, his home life is blessed with loving wife Farrah Fawcett and dau! ghters Tara Reid and Kate Hudson, and when he needs a break from the estrogen congestion there are always weekends to be spent with his trio of hunting buddies. But on a trip to the mall to shop for Hudson's upcoming nuptials, Fawcett strips naked and leaps about in a waterfall. Her subsequent incarceration in a mental hospital (she's diagnosed with the fictional "Hestia complex," suffering from receiving too much affection) along with the ongoing preparations for the wedding barely make a dent in Gere's charming, compassionate demeanor. Then his golf course hires a new female pro who's everything the other women in his life are not--independent, self-confident, Helen Hunt--and Dr. T finds himself with yet another woman to love. Though the minor characters are mostly nasty little caricatures, the film is not the bitter misogynistic rant its detractors claim it is; the problems in Dr. T's life are placed squarely on his own inability to see that women don't need his genteel ! protection, and Gere perfectly captures this sweet yet condesc! ending b lind spot. --Bruce ReidIn an age when women were expected to be seen but not heard, Dr. Michaela Mike Quinn (Jane Seymour) is an independent spirit who forsakes her home in genteel Boston for the rough-and-tumble life of the Western frontier. With a new family and mountain man Byron Sully (Joe Lando) by her side, Quinn finds a new set of challenges and rewards in life as a pioneer.

DR. QUINN, MEDICINE WOMAN: THE COMPLETE SERIES brings together all six critically acclaimed seasons and two feature-length movies of this groundbreaking historical drama. This unique collection traces the entire arc of Dr. Quinn s epic story, from her first step out of the stagecoach in Colorado Springs through the extraordinary romance between her and Sully, the expansion of their family, and the dramatic series finale. All 150 episodes feature unforgettable storylines and a rich cast of characters that bring the timeless themes of the Old West into vivid focus for modern viewers.
Acclaimed for both its painstaking historical authenticity and its ongoing contemporary relevance, the Emmy® Award-winning DR. QUINN, MEDICINE WOMAN unites each and every moment of one of television s most celebrated family classics.

Extras: "Jane Seymour: Hollywood's English Rose" episode of the A&E Award-Winning Biography series; Interactive Tour of 19th Century Colorado Springs; Series Awards and Honors; Cast Biographies and Filmographies; Photo Galleries; Cast Commentaries; Exclusive featurettes: "Beginnings" and "Favorites"; Boarding House: Guest Stars; Trivia Quiz